Hero
Set during the Warring States period, before China was united into one empire. China was once divided into seven states, each state vying against the other for supremacy, each year more than a thousand die from the wars. One king is more ambitious than the rest, the king of Qai (Daoming Yen), he seeks not only to dominate the six other states but to conquer all land under one rule: His.
Angered, six states sent assasins after the king, many legends were told about them. One legend stands out, three assasins named Broken Sword (Tony Leung), Flying Snow (Maggie Cheung), and Sky (Donnie Yen).
They alone had the prestige of very nearly killing the king.
So scared was the king with his near brush of death, he emptied out his palace and enforced an edict that no man may step beyond 100 paces from the king. He also issues a warrant for the capture of the three assasins, with a reward of gold, land and a drink with the king.
Nameless (Jet Li) arrives bearing the three swords of the assasin as evidence of his battle with them. Intrigued with this the king allows Nameless to step more than a hundred paces, until Nameless is within 10 paces from the king.
Nameless begins to tell the tale of love, devotion and betrayal between Broken Sword, Flying Snow and Moon (Zhang Ziyi), Broken Sword's devoted disciple. Each story is told in different color perspective, gray, white, and fiery red.
Nameless first recounts his story of defeating Sky, in a chess house, raining and with an old blind musician playing for them. Nameless and Sky break off their fight until the music is finished, they begin to fight the battle in their minds.
However, the final twist to the story is not provided by Nameless, but by the king himself.
Hero is a fascinating profound story with an effective, lush cinematography to provide for the internal sturggle the characters feel. Each scene is a change of color, a declaration of what cannot be said but seen.
In one, Flying Snow and Moon confront each other in a swirling golden pattern in the forest. It is an amazing and marvelous depiction with both women wearing a startlingly red, they float and flow over each other, while the golden leaves swirl around them.
The scene changes color, turning the grove from gold to blood red.
In the movie almost all the warriors were artists and musicians, Nameless explains this is because art, music and martial arts has ultimately one purpose: Peace.
Zhang Yimou and Christopher Doyle's are visual artist of the most effective forms they translated fine art into the silver screen, playing out each scene in a wonderful glory of
color.
Jet Li's performance is excellent in all forms, harkening to the days before his crossover to hollywood. He provides an intense but humble emotion on screen without need to announce his greatness. His portrayal as Nameless is even better than his other movies. Though Zhang Ziyi is the prettier than Maggie Leung there was no doubt as to who dominated the screen. Maggie Cheung's steal and grace provided for a perfect foil against Tony Leung's strength and gentleness, one can accept them as lovers in whatever incarnation.
Of course the central theme of the movie was the meditation of heroism. A hero is not someone with bravado, smirk and attitude of who can take down a million soldiers with handguns, a hero is a person willing to sacrifice personal ambitiona for the good of all.
Hero is an epic tale in the truest sense. They are, according to one Philippine Daily Inquirer reviewer, like the epics of old, where the heroes in the quest and understanding of beauty break off from a brutal duel to listen to a series of tales from an old shaman just for a nugget of truth.
It just dawned on me! This scroll of Broken Sword's isn't about sword technique but about swordsmanship's ultimate ideal. Swordsmanship's first achievement is the unity of man and sword. Once this unity is attained, even a blade of grass can be a weapon. The second achievement is when the sword exists in one's heart when absent from one's hand. One can strike an enemy at 100 paces, even with bare hands. Swordsmanship's ultimate achievement is the absence of the sword in both hand and heart. The swordsman is at peace with the rest of the world. He vows not to kill and to bring peace to mankind.
-the King of Qin